there is only here and now, and light.
liner notes / catalogue text for Andrei Tarkovsky - Another Kind Of Language various artists 3 CD set + 20 page booklet, and/Oar, released 18 October 2015. 

somewhere inside the future of this room, a piano has stopped to listen.
catalogue essay accompanying Anya Sinclair, Escape Prism, solo artist exhibition in Olveston Historic Home, Dunedin, 5-14 June, 2015. 

an archive ground down, beneath hearing. Sam Longmore's Memorials to Active Listening 2013-2014.
catalogue essay accompanying I Hear, exhibition by Sam Longmore at The Audio Foundation, Auckland, 5-26 June 2014. 

the sound already present: Sound Full at the Dunedin Public Art Gallery 
review of the exhibition Sound Full: Sound in Contemporary Australian and New Zealand Art, curated by Caleb Kelly, at the Dunedin Public Art Gallery, for Realtime issue 111, 2012.

from Mini FM to Hacktivists: a guide to art and activism 
review of exhibition From Mini FM to Hacktivists curated by Mercedes Vicente at The Govett-Brewster Art Gallery, New Plymouth, for Flash Art International #247, March-April 2006.

seven days of seeing. the archive and the instant in Drifting Observatories.
catalogue essay for multi-venue vernacular photographic project Drifting Observatories by Margot Didsbury and Fiona Connor. Catalogue published as Drifting Observatories:photos taken from around the world from the 7th-14th November 2005. exhibited at rm103, Auckland, and the Blue Oyster Art Project Space, Dunedin, February-March 2006.

here, where streets seem short term ideas. Ina Johann's relational visual spaces.
catalogue essay for Ina Johann's work in the group exhibition GPS, CoCA, Christchurch, and Randolph Street Gallery, Auckland, 2005. the essay can be read via Johann's webite here.

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