AN ARCHIVE OF POETRY PUBLICATIONS (1996-) CAN BE FOUND AT:
A GAP INVISIBLE IN THE PHOTOGRAPH
A GAP INVISIBLE IN THE PHOTOGRAPH
there is only here and now, and light.
liner notes / catalogue text for Andrei Tarkovsky - Another Kind Of Language various artists 3 CD set + 20 page booklet, and/Oar, released 18 October 2015.
somewhere inside the future of this room, a piano has stopped to listen.
catalogue essay accompanying Anya Sinclair, Escape Prism, solo artist site-specific exhibition in Olveston Historic Home, Dunedin, 5-14 June, 2015.
an archive ground down, beneath hearing. Sam Longmore's Memorials to Active Listening 2013-2014.
catalogue essay accompanying I Hear, exhibition by Sam Longmore at The Audio Foundation, Auckland, 5-26 June 2014. Accompanying catalogue text re-published in Soundbleed magazine.
the sound already present: Sound Full at the Dunedin Public Art Gallery
liner notes / catalogue text for Andrei Tarkovsky - Another Kind Of Language various artists 3 CD set + 20 page booklet, and/Oar, released 18 October 2015.
somewhere inside the future of this room, a piano has stopped to listen.
catalogue essay accompanying Anya Sinclair, Escape Prism, solo artist site-specific exhibition in Olveston Historic Home, Dunedin, 5-14 June, 2015.
an archive ground down, beneath hearing. Sam Longmore's Memorials to Active Listening 2013-2014.
catalogue essay accompanying I Hear, exhibition by Sam Longmore at The Audio Foundation, Auckland, 5-26 June 2014. Accompanying catalogue text re-published in Soundbleed magazine.
the sound already present: Sound Full at the Dunedin Public Art Gallery
review of the exhibition Sound Full: Sound in Contemporary Australian and New Zealand Art, curated by Caleb Kelly, at the
Dunedin Public Art Gallery, for Realtime issue 111,
2012.
Wings Caught in the Tears of the Pool, Kim Pieters at Bowen Galleries
Dunedin painter Kim Pieters' exhibition Wings Caught in the Tears of The Pool was exhibited at Bowen Galleries, Wellington, from 8 - 27 September 2008. all of the paintings' titles were taken by Kim from poems written by me, and were also exhibited with an appropriately poetic, non-explicatory catalogue text I wrote for the show.
Dunedin painter Kim Pieters' exhibition Wings Caught in the Tears of The Pool was exhibited at Bowen Galleries, Wellington, from 8 - 27 September 2008. all of the paintings' titles were taken by Kim from poems written by me, and were also exhibited with an appropriately poetic, non-explicatory catalogue text I wrote for the show.
short essay on rotate your state for Radio Kiosk
impressions of a radio show i hosted on student radio station RDU98.3FM in the late 1990s - early 2000s. written for a mini-FM artist project by ((ethermap (Zita Joyce and Adam Willetts), installed at Christchurch public art site The Kiosk. June 2006.
from Mini FM to Hacktivists: a guide to art and activism
review of exhibition From Mini FM to Hacktivists curated by Mercedes Vicente at The Govett-Brewster Art Gallery, New Plymouth, for Flash Art International #247, March-April 2006.
seven days of seeing. the archive and the instant in Drifting Observatories.
impressions of a radio show i hosted on student radio station RDU98.3FM in the late 1990s - early 2000s. written for a mini-FM artist project by ((ethermap (Zita Joyce and Adam Willetts), installed at Christchurch public art site The Kiosk. June 2006.
from Mini FM to Hacktivists: a guide to art and activism
review of exhibition From Mini FM to Hacktivists curated by Mercedes Vicente at The Govett-Brewster Art Gallery, New Plymouth, for Flash Art International #247, March-April 2006.
seven days of seeing. the archive and the instant in Drifting Observatories.
catalogue essay for multi-venue vernacular photographic project Drifting Observatories by
Margot Didsbury and Fiona Connor. Catalogue published as Drifting Observatories:photos taken from around the world from the 7th-14th November 2005. exhibited at rm103, Auckland, and the Blue
Oyster Art Project Space, Dunedin, February-March 2006.
here, where streets seem short term ideas. Ina Johann's relational visual spaces.
catalogue essay for sculptural and graphic artist Ina Johann's work in the group exhibition GPS, CoCA, Christchurch, and Randolph Street Gallery, Auckland, 2005. the essay can be read via Johann's webite here.
here, where streets seem short term ideas. Ina Johann's relational visual spaces.
catalogue essay for sculptural and graphic artist Ina Johann's work in the group exhibition GPS, CoCA, Christchurch, and Randolph Street Gallery, Auckland, 2005. the essay can be read via Johann's webite here.
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