9 Dec 2009
'the desert Homeric'*
in arid cities we have read as syntax flooded streets, marked tides in museums where classical shadows
build birds of dust on their shoulders:
the old tongue sleep, forgotten, in patches, but still the thirst: the sky, a desert of tiredness, without image
to drink, but almost
the memory of rain, half-tasted, like jealousy in the back of the throat; the lake, maybe eroded, or a salt, unfed
expanse, a wilted
lip dragging dust boundaries, outside the circle of light, the marble horse's pupil gilded. sight splits a line, a dry
horizon, a pen
raised to the chalky lips of cliffs, the vanishing point chewed ragged by wide skies, a seedless devouring, graced by neither coherence
nor splendor; where we live, on the edge of the letter, a view pointing stillness, behind gray glass; time ripened
under the eye's
black canopy, the plum of a newly born century, split under the hard foreknowledge of a thumb; and after the music
there will be the calm,
a relocation of light, the movement exact, a trace of anger held between hand and paper; and in the wind, where
cartographies click, and the surfaces rearrange
their notes, the desert flaring, pulling a long story from our feet, after a lifetime spent suffering the stilted innocence
of flowers, to avoid the belonging, the dull love:
to walk horizontally along the edge of a word, blinded by sun, to forget what was seen, and what there is, and
beneath real heel, to gather the fiction of a hill:
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*[first published in Australian literary magazine Cordite, the Epic issue 31.0 (2009)]
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