Showing posts with label oral history. Show all posts
Showing posts with label oral history. Show all posts

the regent theatre 24hour booksale


the regent theatre 24 hour booksale is a bit of an institution in Dunedin. set in the grand environs of the centrally located old proscenium palace, it seems like the whole city comes out for the event. the live music played here in the past has included such under-appreciated milestones as the set by Alastair Galbraith committed to tape and released by Bruce Russell on Xpressway in 1987 as side A of 'Hurry on Down', Alastair's first solo release after The Rip. Alastair has this to say about that release on the website of his label, Emperor Jones:

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"One side of it was recorded live at a gig to benefit the Regent Theatre, a large theatre in Dunedin that the owners never stopped doing up. They would get musicians to play for nothing for 24 hours over a Friday and Saturday. It was a chance to play to a horribly mainstream audience of people browsing through second hand books that had also been donated to the theatre. I really stupidly agreed to do a 3am performance and went to sleep and woke up at 2:30am and went down there with Bruce. He recorded the whole thing, but I was under the influence of something very strange, I can't remember what, and when I listen to it I can tell that I wasn't fully awake. The other side was a result of Bruce coming to the warehouse where I was living at that time and asking me if I'd written any songs. I said I'd written about eight or nine and he said 'play them all to me'. I played them one after the other for him and he recorded them on a walkman. I honestly thought he was recording them for personal listening, but he released it! It was good of him, but within a few months of it being out I said to him that I never really knew at the time it was recorded that he was going to release it, and that I would quite like a go at giving him something slightly better, and so there was a first and second edition. Just prior to this, a friend who was an elderly woman I used to do gardening for (and I had known since I was twelve) had asked me out of the blue what I would most like materialistically, and I thought for a while and said 'a four-track recording machine'. Later, she came back into the room with a cheque that was almost enough to buy a second hand one. So I was learning how to record myself at that point and was able to give Bruce slightly better versions of some of the songs."

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wandering around making location recordings of this year's booksale I was able to capture, if not a Galbraith in the making, at least the odd aural spectacle of an elderly female voice reading a medical textbook section about the eye, and a briefly sketched out history of the booksale's cultural import by the woman who wrapped my finds in newspaper, as well as a slightly earlier conversation with the poet David Howard, which ended with him being asked, and refusing, to read to the collected silently browsing audience, and nominating me as a likely alternative.

thanks, David...



radio cegeste at Chicks Hotel, Dunedin

the inaugural radio cegeste live micro radio performance on 12th Dec 2008 involved creating a site-specific radio programme for the iconic, historically notorious Chicks Hotel, in Port Chalmers, Dunedin. a playlist of environmental and anecdotal field recordings collected around the Port Chalmers area within 24 hours of broadcast were played back via itunes, handmade Mini FM transmitter and hand-held radio receivers.

Nigel Bunn helped me collect the field recordings. Our sonic mapping exercise took in various indoor and outdoor, cultural and natural environments. Along the way I also talked to a church organist about trains, a publican about the artist Ralph Hotere, children exiting a school bus, and the Chicks Hotel proprietor Hector Hazard about his attempts to 'unlearn the guitar'.

I shared a bill with various improvised noise / sound practitioners and DJs from Christchurch and Dunedin : Adam Willetts, Dirt Room, EYE, and A'sides for Betaville. Kim Pieters took the following performance photographs.










notes for a coastline


quite soon after meeting documentary filmmaker Zoe Roland on her move from Auckland to Christchurch, she commissioned me to write the script for a short experimental film she was working on, based around the 'bach' (holiday house) culture of the South Island seaside settlement of Gore Bay.

This film eventually became Notes for a Coastline, which drew on documentary, oral history, B&W 16mm shot on vintage Bolex cameras, found archival super-8 and experimental radiophony, layering a palimpsest of film and digital video footage, and audio interviews with community members with an essayistic monologue.

It had its inaugural screenings in the 2004 Homegrown programme of the NZ International Film Festivals (Wellington and Auckland), and a screening at the 5th biennial New Zealand Expanding Documentary Conference (2004). It went on to be included in the official selection of the Navarra International Documentary Film Festival (Spain) in 2005, as well as having a hometown showing that year at The Physics Room Contemporary Art Space


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"Notes for a Coastline” is an essayist documentary about cultural memory in regard to place; in this instance, Gore Bay, a beach settlement in the South Island of New Zealand. The narrative is a poetic exploration into the art of storytelling, which presents and muses upon the subject from a number of angles. It is “about” storytelling, a semi-scientific portrayal as well as a personal portrayal of the search of stories."

: Zoe Roland
: Sally Ann McIntyre
: Ryan Smith
: Zoe Roland, Sally Ann McIntyre, Nigel Bunn

Director of Photography: Nigel Bunn
: Zoe Roland