Showing posts with label settler culture. Show all posts
Showing posts with label settler culture. Show all posts

"rarely has reality needed so much to be imagined...." : residual vistas : alexandra bridge, lake te anau, queenstown








residual vistas, imaginary landscapes: three undated hand coloured framed photographs found in opshop on St Andrews St, Dunedin, June 2009


"My working hypothesis was that any reasonably long memory - like every collection - is more structured than it seems at first. I think that a collection of photographs, taken apparently at random, or postcards, chosen on the spur of the moment, reaching a certain size, will start to draw a route, a map of the imaginary country inside us. By systematically looking through all these images, I am sure to discover behind the apparent disorder a secret map, like one of those treasure maps in stories about pirates."

- Chris Marker


environmental radio : radio d' Oiseaux


radio d'Oiseaux is a solar powered radio station for New Zealand native birds. Currently a fieldwork project, it will eventually manifest as series of radio cegeste site specific performances.

as an "environmental radio" and conceptual media project, radio d'Oiseaux looks at the links between transmission, locality and territory.

as a sound-site, the birdsong is a place of trauma and nostalgia in NZ, a situation helped along by its long association with public broadcasting. the public outcry a few years back at the intended removal of field recordings of native avian species, long a temporal marker for news reports on Radio New Zealand National, provided weighty evidence of its cultural place. The presence of bridsong as ‘soundmark’ can be percieved as displaying a memorialising or museological function. To replay already-extant sound has its own embedded politic - the loop itself is a ‘territorialised’ refrain in Deleuze’s terminology – here, Radio New Zealand's treatment of the sounds of birds is a paradigm reiterated in cultural terms by the replay of songs sent to radio stations by record companies. Instead, to deteritorialise this medium’s approach to art, we might learn from talking to the animals.

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“the plan was to put microphones in remote locations uninhabited by humans and to broadcast whatever might be happening out there; the sounds of wind and rain, the cries of birds and animals – all the uneventful events of the natural soundscape transmitted without editing into the hearts of the cities. It seemed to us that since man has been pumping his affairs into the natural soundscape, a little natural wisdom might be a useful antidote”.

“An excess of environmental noise produces sloppy listeners. We no longer listen to the radio, we overhear it. It stays on, shielding us from the coarseness of modern life. Radio has become the birdsong of the twentieth century, decorating the environment with “pretty””

- R. Murray Schafer

notes for a coastline


quite soon after meeting documentary filmmaker Zoe Roland on her move from Auckland to Christchurch, she commissioned me to write the script for a short experimental film she was working on, based around the 'bach' (holiday house) culture of the South Island seaside settlement of Gore Bay.

This film eventually became Notes for a Coastline, which drew on documentary, oral history, B&W 16mm shot on vintage Bolex cameras, found archival super-8 and experimental radiophony, layering a palimpsest of film and digital video footage, and audio interviews with community members with an essayistic monologue.

It had its inaugural screenings in the 2004 Homegrown programme of the NZ International Film Festivals (Wellington and Auckland), and a screening at the 5th biennial New Zealand Expanding Documentary Conference (2004). It went on to be included in the official selection of the Navarra International Documentary Film Festival (Spain) in 2005, as well as having a hometown showing that year at The Physics Room Contemporary Art Space


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"Notes for a Coastline” is an essayist documentary about cultural memory in regard to place; in this instance, Gore Bay, a beach settlement in the South Island of New Zealand. The narrative is a poetic exploration into the art of storytelling, which presents and muses upon the subject from a number of angles. It is “about” storytelling, a semi-scientific portrayal as well as a personal portrayal of the search of stories."

: Zoe Roland
: Sally Ann McIntyre
: Ryan Smith
: Zoe Roland, Sally Ann McIntyre, Nigel Bunn

Director of Photography: Nigel Bunn
: Zoe Roland